Miles Davis collaborator Jimmy Cobb joins us as we explore nine Columbia albums that capture the earliest flowerings of the Miles Davis legend — the moment when his muse began to match his own prodigious powers. You May Also Like: Miles Davis’ Expanded ‘Kind of Blue: Legacy Edition’ Struck theRead More

Etienne Charles’ spicy new album Creole Soul is a perfectly named blend of jazz-inflected island music — from calypso to reggae, from rock steady to Haitian chants. You May Also Like: Harry Beckett – Still Happy (2016) Sam Eastmond, jazz trumpeter: Something Else! Interview David Garfield, “Sir Charles” from ‘Stretchin’Read More

The appropriately named “Combustible,” part of an upcoming Wallace Roney project called Understanding, bursts out like a spit-shined hard-bop muscle car — and the trumpeter never takes his foot off the gas. You May Also Like: When Miles Davis Finally Looked Back on ‘Miles and Quincy: Live at Montreux’

This song, a new live interpolation of a Miles Davis cut from 1961’s Someday My Prince Will Come, might be the best argument Nicholas Payton has ever made for the use of the term Black American Music (or #BAM) instead of jazz. You May Also Like: Nicholas Payton – ‘SmokeRead More

One of the characteristics shared by most of my favorite jazz musicians is versatility. They have “big ears” in their musical interests as well as in their playing environments. You May Also Like: Dave Douglas, Uri Caine + Andrew Cyrille – ‘Devotion’ (2019)

Dear Diz doesn’t aim for the relentlessly daring intellect of Dizzy Gillespie’s small-band bebop sides, so much as the boisterous amiability associated with his globetrotting latter-day period You May Also Like: The Beatles, “Martha My Dear” from The White Album (1968): Deep Beatles Dizzy Gillespie and Friends – Concert ofRead More

Trumpeter Nicholas Payton has announced a 90-day personal moratorium on using the word “jazz,” according to a new interview posted at MLive.com. “On March 7,” Payton says, “I’m definitely going to start using it again.” You May Also Like: Nicholas Payton – ‘Smoke Sessions’ (2021)

“Thank you very much, you make me feel so wonderful. It’s been a pleasure being here but I really must go now, it’s so hot.” — Clifford Brown at the end of his final performance, June 25, 1956 You May Also Like: Jazz’s Best Last Records by John Coltrane, EricRead More

I was struck, time and again, by the considered, almost slow-motion attention to detail here, as trumpeter Jimmy Owens and Co. tease out every blues-soaked nuance from the oft-heard music of Thelonious Monk. You May Also Like: Gregory Lewis, with Marc Ribot – Organ Monk Blue (2018)

I had this discussion about jazz with a friend of mine once. He really couldn’t deal the sound of a full-bore, large-scale ensemble You May Also Like: Rob Dixon Trio, with Charlie Hunter and Mike Clark – Coast To Crossroads (2018) Rob Mazurek & Exploding Star Orchestra – ‘Lightning Dreamers’Read More