Fusion guitar big dog Allan Holdsworth has been in a number of notable bands: The Soft Machine, Gong, UK, Level 42…but the brief, mid-seventies stint he had in Tony Williams’ reconstituted Lifetime band have made up some of the fondest memories for him. About a decade ago, he honored hisRead More

“Live at Montreux,” which focuses on tunes from Wayne Shorter’s then-new album “High Life,” might have been just another night in a lifetime of concert dates — if not for the former Miles Davis sideman’s still prodigious, almost hypnotic ability on the sax. That, and some bonus cuts from MontreuxRead More

Jaco Pastorius dubbed this all-star pairing the “Trio of Doom.” It became more fittingly the “Doomed Trio.”

NICK DERISO: From the trembling strains of the first harpsichord notes here, to the rappy backbeat that follows, to the bubbling funk from later on, to the hard jazz moving through this album after that, it’s clear … Bernie Worrell — the original keyboardist with Parliament-Funkadelic— is crazy. But inRead More

by Nick DeRiso Imagine a swinging Chopin, or Chick Corea with a case of classical gas. That’s the vision of James L. Mack — and it comes into focus on “Pride of Lions,” featuring a slew of stars from Tony Williams and Roy Hargrove, to Bobby Watson and Philip Bailey.Read More

by Nick DeRiso “Elegy” begins with a trill from Herbie Hancock, then a persistent, oh-so distinctive tapping that could only be drummer Tony Williams. Next, a nimble, casually funky bass line from Ron Carter. Like a dream made real, Miles Davis’ second great group — with Wallace Roney stepping inRead More

by S. Victor Aaron PETER ERSKINE, Sweet Soul (1991) I’ve got scads of records led by John Abercrombie that show Erskine’s prowess on the skins better than this record. But here, Erskine does such a great job leading an ensemble that shifts from track to track. On some, we areRead More

by S. Victor Aaron On the Columbia re-release of Miles Davis’ “The Complete In a Silent Way Sessions” … This 3 cd set covers Miles Davis’ recoding sessions from September, 1968 to February, 1969, chronicalling the line of demarcation between “acoustic Miles” and “electric Miles”. It is an important pieceRead More