by Tom Johnson Ben Folds opened this EP (Speed Graphic refers to the camera seen on the sleeve) with the Cure’s “In Between Days.” While staying true to the Cure’s sound, he managed to inject an extra little dose of his hopeful optimism into the song: It’s just a qualityRead More

by Tom Johnson Just because King Crimson is one of my all-time favorites doesn’t mean that I have to trot out the old standard In the Court of the Crimson King. I don’t particularly care for it, regardless of its standing as a prog-classic. The one that I return to,Read More

by Tom Johnson Poor Trey. Not only did he get wrapped up in dealing with a major label in 2005 with Shine, he also had to deal with the double-whammy of two decidedly non-fan friendly formats that Columbia insisted on releasing the album through, the shoddy DualDisc format and theRead More

It was only a matter of time before Robert Fripp came out of hiding again. Notoriously reclusive, the unusual guitarist seems to disappear just when things seem to get really interesting, such as a few years ago when You May Also Like: No related posts.

by Tom Johnson Who knew Low would crank things up like they did with 2005’s The Great Destroyer, their Sub-Pop debut? Were they holding back all those years, or did the label urge them to do something different? Whatever it was, it worked against every notion fans had when wordRead More

By Tom Johnson Corinne Bailey Rae is one of those unexpected interests for me, a pop-chanteuse making the kind of music I typically wouldn’t really find much interest in. But, for some reason, I fell for her simple, emotive voice. My only problem with her eponymous debut album was thatRead More

by Tom Johnson With his 2001 release, Poses Wainwright (yes, the son of Loudon Wainwright III) gave the world a breath of fresh air. Often set to what amounts to modern day Tin Pan Alley tunes, Wainwright uses his voice to display something that so often goes ignored these daysRead More

By Tom Johnson I spent most of the morning flipping between one disc and the next, restless for something that actually fit my mood. I just didn’t want to, you know, as they say, deal and nothing particularly appealed to me. On days like this, I tend to gather upRead More

by Tom Johnson Following her fantastic 2000 release Red Dirt Girl, this found the angelic-voiced Emmylou Harris continuing down the path she started with Daniel Lanois on the equally fantastic but slightly more stunning 1995 album Wrecking Ball, and that’s just fine with me. Once a country-goddess, Harris has incorporatedRead More

by Tom Johnson Elvis Costello makes yet another shift in his career, this time to take on the persona of a jazz crooner backed by an orchestra arranged and conducted by his own bad self. Does it work? Depends on your view of Elvis: If, in your world, he’s theRead More