Why ‘Endless Wire’ Should Have Been the Who’s Final Farewell
Released 15 years ago this week, the Who’s ‘Endless Wire’ spent some well-deserved time as a more fitting finish than the somewhat-sour ‘It’s Hard.’
Released 15 years ago this week, the Who’s ‘Endless Wire’ spent some well-deserved time as a more fitting finish than the somewhat-sour ‘It’s Hard.’
‘Trance-Fusion’ arrived 15 years ago today, offering no traditional structures, no choruses, and few repeated elements. It was classic Frank Zappa.
Released 15 years ago today, ‘Body of Song’ updated the excessive, naive electronics of ‘Modulate’ with the return of Bob Mould’s razor-sharp guitar.
Issued 20 years ago today, “Soon Forget” isn’t the only binaural recording on Pearl Jam’s ‘Binaural,’ but it’s the one that really shows off the technique.
My exposure to ‘Live’ began as a simple exploration of jazz 25 years ago, but I became a Bill Frisell convert because of it.
Rush’s ‘Presto’ arrived 30 years ago today, setting off a chain reaction that would change my life forever.
Elvis Costello referenced past triumphs 15 years ago this week with ‘The Delivery Man,’ but he was never beholden to them.

Released 25 years ago this week, ‘Dos Dedos Mis Amigos’ found Pop Will Eat Itself swerving into the then-hip industrial sound.
Released 15 years ago this week, Tears For Fears’ reunion on ‘Everybody Loves a Happy Ending’ for some reason went largely ignored.

‘The Universe Will Provide’ arrived 15 years ago this week at a career crossroads for Mike Keneally. He somehow managed to take everything to the next level.