John Zorn’s Masada is an interesting group. The way I’ve come to describe them is “Ornette Coleman-listens-to-klezmer.” While that’s not the only way to get there, it’ll do. You May Also Like: How ‘Wish’ Scuffed Up Joshua Redman’s Initial Melodicism Why You Should Give Pat Metheny’s ‘Rejoicing’ Another Listen OrnetteRead More