Merzbow/Pandi/Gustafsson with Thurston Moore – Cuts of Guilt, Cuts Deeper (2015)
This ain’t pop music, ladies and gentleman. It’s a party of noise.

This ain’t pop music, ladies and gentleman. It’s a party of noise.

Time for the Thing In The Spring, four days of music, readings, art, and general hijinx on the street.

The project doesn’t just pay tribute to Jeffrey Lee Pierce so much as expand his legacy.
I was having a little trouble concentrating at work yesterday afternoon, so I got my listening equipment ready and declared that the task at hand required some “squeaky music.” You May Also Like: John Zorn’s Simulacrum – The Garden of Earthly Delights (2017)

The 1970s No Wave movement spawned some dark, aggressive, and beautiful music. Do those adjective belong together? Of course! You May Also Like: Rhys Chatham – Pythagorean Dream (2016) When John Frusciante Returned to Solo Work on ‘Shadows Collide With People’

It’s that time of year again. Time for the Monadnock region’s fantastic music/arts festival that goes by the name The Thing in the Spring. You May Also Like: Peter Brotzmann + Heather Leigh – Ears Are Filled With Wonder (2016) Flow Trio with Joe McPhee – ‘Winter Garden’ (2021)

The advance publicity for the fourth official solo album by Sonic Youth member/author/art damaged polymath Thurston Moore offered a challenge: You may think you know where a Thurston record does or does not factor into your world You May Also Like: No related posts.

The Only Way To Go Is Straight Through begins like a train grinding to a sparks-throwing stop — except it never stops. It just keeps throwing sparks, keeps getting louder, and brighter, and closer. You May Also Like: Tom Abbs and Frequency Response – Hawthorne (2018)

Vacation. I started out with a plan for this elaborate fantasy. It began with me and TheWife™ going into town on Friday night to see Thurston Moore. You May Also Like: Don Breithaupt on ‘Friday,’ and What’s Ahead for Monkey House: Something Else! Interview