New York City circa 1958, for the jazz aficionado, was the place to be. Possibly no other artifact can confirm this statement with more clarity than photographer Art Kane’s landmark portrait A Great Day in Harlem. You May Also Like: Esquire featuring Nikki Squire, “Ministry of Life” (2016): One TrackRead More

One of the more distinctive and convincing points made by Ted Gioia in his definitive chronicle of jazz, The History of Jazz (1997, rev. 2011, Oxford University Press) is about the under-credited impact pianist Lennie Tristano made You May Also Like: Jason Stein Quartet – Lucille! (2017) Jason Stein’s LocksmithRead More

by Mark Saleski This record has more often than not been out of print. Maybe it’s the legalities involved in dealing with such a large cast. Maybe it’s record company incompetence. I don’t know. What I do know is that it’s one fantastic, diverse and powerful tribute to Thelonious Monk.Read More

Like the most artistically successful avanteers such as Mingus, Kirk and Braxton, the German composer, arranger and pianist Heiner Stadler fully understands, appreciates and loves the more traditional forms of jazz You May Also Like: Gregory Lewis, with Marc Ribot – Organ Monk Blue (2018)

by Mark Saleski Sax, piano, bass and drums — staples in the jazz world. Sometimes, that combination can be bland. If the players don’t add a little spice to the proceedings, you quickly realize that you’ve been here before. (“What? Intro-head-solos-head again?!”) Thankfully, Dave Glasser knows how to apply theRead More

by Nick DeRiso “Like Sonny,” reportedly based on an element of a Sonny Rollins solo — perhaps during “My Old Flame,” from Kenny Dorham’s 1957 Jazz Contrasts record? — illustrates the remarkable attention to detail that still makes John Coltrane’s music not just interesting but important. He wasn’t a stylist,Read More

Sam Newsome, who first came into wider notice as a tenor-playing member of the Terence Blanchard Quintet in the early 1990s, takes the soprano to places both familiar and new on “Blue Soliloquy.” Subtitled “Solo works for the soprano saxophone,” it’s Newsome’s tone-poem love letter to what makes his newRead More

photo: Catherine Stockhausen by S. Victor Aaron When I think of a drummer of one of the most familiar-sounding trios in all of jazz who is still pushing out the boundaries of the genres, Paul Motian is the first name that comes to my mind. So much so, I easilyRead More