Originally released as Humanary Stew: A Tribute to Alice Cooper on Deadline Records in 1998, this collection of covers has recently gotten a repackaging from Cleopatra Records with a few extra tunes from Iced Earth, Children of Bodom and Icarus Witch tossed in as a bonus. Though most of theRead More

There’s a problem with any list that attempts to rank players as if one is ‘better’ than another.

There’s no denying, if you dig into the stacks, the Who’s shuddering energy – equal parts speed, raw fury and rangy emotion.

by Mark Saleski Superfluous. Meaningless. Pointless. Redundent. Obligatory. No, I haven’t been playing with my thesaurus. These are just some of the words that are often used to describe live recordings. You May Also Like: How Tesla’s ‘Real to Reel’ Set Redefined the Classic Rock Cover Album Rolling Stones’ SomeRead More

Oh, did I mention that the Who’s ‘Live at Leeds’ is extremely LOUD?

You’re to be forgiven — even if you were there — for missing this one. Seems, because of lengthy set overruns by the bands that preceded them, the Who didn’t take the stage at the 1970 Isle of Wight Festival until the no-kidding hour of 3 a.m. (The bill thatRead More

Less anthematic, in the way of his work with The Who, than it is reflective and frank, Pete Townshend convincingly argues the case for middle-aged rock with “Slit Skirts.” That the gap between the extroversion of his band recordings and the smaller joys of his solo stuff was already disappearingRead More

by Pico Readers of this site are going to think that we are celebrating Father’s Day two months early because for the second time in as many days, a talented offspring of a famous father is getting the spotlight. Charlie Haden’s daughter Petra never aspired to fill her dad’s hugeRead More

In the brilliant, circular overture of synthesizer and riff that opens ‘Endless Wire,’ we find a triumph for what’s left of the Who.