The Necks’ ‘Bleed’ is briefer but there remains plenty of time to insert many small intriguing new twists into their incomparable brand of modern, minimalist music.

Since members of the Vampires have previously collaborated with each member of the Necks, Chris Abrahams’ inclusion in the former group for the attractive new release ‘Nightjar’ makes this addition by addition.

It probably goes without saying that if you like The Necks previous records, you’re going to like ‘Travel,’ too, guaranteed. It’s a familiar sound but the songs will still take you on an engaging journey where you’re not sure beforehand where they wind up.

Every Necks album is a plot twist in a long-running musical riddle, and ‘Three’ keeps the story very much alive for one of the most singular bands in contemporary music.

There’s a record for every corner of fusion, from minimalism to funk-jazz to jam band, on S. Victor Aaron’s final Best of 2018 list.

Sounding very much like themselves while incrementally reinventing themselves, The Necks’ constant tweaking of their formula keeps the music fresh and full of fascination. ‘Body’ nudges the band forward on their long, highly rewarding journey.

With ‘Vertigo’ as with their 17 prior albums, The Necks reveals its secrets in enticing ways over the course of one long, enchanting track.