There’s a specificity to this song, by Austin, Texas-based roots rocker Eric Hisaw, that pulls you all the way into the story. You May Also Like: Eric Clapton, “Motherless Child” from ‘From the Cradle’ (1994): One Track Mind
Vaughan dishes a second helping of obscure blues covers with Jimmie Vaughan Plays More Blues, Ballads & Favorites. Fast on the heels of the well-received Plays Blues, Ballads & Favorites from last year, everything great about that record is present on this one: Vaughan’s cropped, cool guitar picking, his smooth,Read More
When ZZ Top, tearing through “Waiting for the Bus,” howls “have mercy!” in tandem, I’m right there with them. You May Also Like: ZZ Top’s “El Diablo,” “Thunderbird,” “Rough Boy” + Others: Gimme Five
If you ever get a chance to see the movie “Dazed And Confused,” you’ll be treated to a pretty accurate depiction of a typical weekend in late 1970’s America. The bad hair, the hiphuggers, the muscle cars, the 8-tracks. You May Also Like: ZZ Top’s “El Diablo,” “Thunderbird,” “Rough Boy”Read More
The Austin, Texas-based Hickoids, a shambling, couldn’t-give-a-sh–t group of cowpunk nutjobs, cover their share of oddball Anglophile items on the new Kicking It With the Twits, out on Saustex Media in San Antonio. There’s the Stones (“Have You Seen Your Mother …”). Eno (“Needles in the Camel’s Eye”). The MoveRead More
Photo from Gregg Rolie’s website by Nick DeRiso Gregg Rolie, a founding member of Santana and then Journey, is probably best remembered as this tiny speck playing keyboards in a sold-out arena. That makes the deeply introspective new EP Five Days, recorded live with just piano and vocals, an unexpectedRead More
by S. Victor Aaron Electric blues guitarist Melvin Taylor had been sporadically recording solo albums for 20 years when Dirty Pool arrived — and was somehow just beginning to find fame. Already a hit in Europe, it had taken a steady run of performing in Chicago’s famed blues clubs toRead More
by Nick DeRiso Emory Quinn doesn’t quibble about genre. Heck, this happy-go-lucky San Antonio, Texas-based band can’t even stick to one instrument, with its principal members merrily switching from one to another. That makes for a nice metaphor on See You At The Next Light, an album of restless musicalRead More
Lucinda Williams brings a brave, riveting vulnerability to Essence — and, for me, it’s her masterpiece. Yet you are more apt to find it in the cutout bin at a big-box department store than at the top of most people’s desert-island lists. Perhaps the sensual melancholy of Essence was tooRead More
by S. Victor Aaron OK, I relent. I was forced by the overwhelming evidence to do it. I had to create a new tag “Houston TX” because even though we’ve long had a “Texas” tag, the richness and diversity of good music originating from the Space City was more thanRead More
