Not to be confused with the Beefeaters who released a solitary single (“Please Let Me Love You/Don’t Be Long”) for the Elektra label in 1964 before switching their name to the Byrds and winging to the top of the charts You May Also Like: The Byrds, “What’s Happening?!?!” from FifthRead More
Mike Zito’s life has taken him from St. Louis to Key West to southeast Texas. A deeply personal and sincere bluesman, Gone To Texas is Zito speaking — or singing, really both figuratively and literally about his long road to not only redemption, but also outright triumph. You May AlsoRead More
One of my favorite Rush songs is “The Trees.” I love that brief acoustic, Renaissance mannered intro with a full-bodied metal guitar suddenly bursting in You May Also Like: Bernie Chiaravalle, Guitarist With Michael McDonald: Something Else! Interview Bernie Worrell’s Improvisczario went well beyond the expected funk
Coming to be in 1979 and known as the Flirts, this Houston, Texas-based band gained a rabid local following with their bang-up breed of rocking guitar pop. You May Also Like: B-Leaguers – Death of a Western Heart (2016) The Modulators – Try Try Try (2015) The Jeanies – TheRead More
Missing longtime member Tom Pittman, but none of the knee-slapping fun, the Austin Lounge Lizards’ fizzy Home and Deranged takes on such typically topical subjects as airport patdowns, big-ego music stars, fat-cat bankers and government conspiracy theories. You May Also Like: Genesis, “Home by the Sea / Second Home byRead More
Originally only available as a hand-made fan-club item, Captain Beyond’s 1973 concert with King Crimson became something of a legend — a poorly heard, pieced-together legend. You May Also Like: Captain Beefheart, “Pachuco Cadaver” from Trout Mask Replica (1969): One Track Mind
Arriving as it does amidst of flurry of similarly themed songbook albums — from Rod Stewart to Paul McCartney to Jeff Lynne — Let’s Face the Music and Dance reminds us of Willie Nelson’s age-old command of the genre. You May Also Like: Willie Nelson and Wynton Marsalis shared anRead More
A tasty mixture of greasy blues rock, deranged intellect and mudhole-stomping Texas attitude, Churchwood once again illustrates what a post-punk Skip James might have sounded like had he gotten into the lysergic weirdness of 13th Floor Elevators. You May Also Like: The Shadows of Knight “Someone Like Me” (1967): OneRead More
Just back from another well-received round of shows with the All-Starr Band, Gregg Rolie continues working on a new solo release — the Santana/Journey co-founder’s first since 2011. You May Also Like: At first, Gregg Rolie wasn’t so sure about a classic Santana song: ‘What the hell do I doRead More
A raunchy, no-bullshit punkabilly record, Where Do You Want It? begins with a paean to snot-slinging drunkeness — and the Beaumonts never take their steel-toed boot off the gas. You May Also Like: The Flower Pot Men, “Let’s Go to San Francisco [Pts. 1-2]” (1967): One Track Mind John Ginty,Read More
