With the new ’57th and 9th,’ Sting makes a welcome return to a more rock-rooted style after a period away from the genre.

The 1980s were marked by benefit extravaganzas, though oftentimes — whatever their noble intentions — they boasted both dubious musical results and unclear benefits. Amnesty International events were different. You May Also Like: When Peter Gabriel Suddenly Decided to Open Up on ‘Us’

Steve Nieve is likely an unknown quantity to anyone other than Elvis Costello fans. You May Also Like: Elvis Costello’s ‘The Delivery Man’ Once Again Resisted the Urge to Look Back

The shame of it, really, is that Sting’s still-resonant pop smarts are often subsumed on The Last Ship, his first proper album in a decade, by its High Concept beginnings as a theatrical production. You May Also Like: Sting – 57th and 9th (2016) How Laura Branigan’s Passion and EmotionRead More

The last time Sting approached his familial history amidst England’s rusting ship-building days of yore, it was on the occasion of his father’s death. He returns now with larger themes You May Also Like: Sting – 57th and 9th (2016) Richard Turgeon, “Learning to Fly” (2020): One Track Mind

Police guitarist Andy Summers says he was careful not to paint too rosy a picture of the band’s often-tumultuous rise to fame in his new documentary “Can’t Stand Losing You,” but that doesn’t mean he was trying to take frontman Sting to task. You May Also Like: The Police –Read More

Stream Stevie Wonder’s all-star concert in celebration of the UN’s 67th anniversary, which will feature special guests Paul Simon and Sting, as well as a number of other celebrities. You May Also Like: How ‘Paul Simon’ Set the Template for a Career of Dizzying Musical Exploration

Only perhaps on this site could we query folks for Desert Island Live Discs, and find a six-way tie among the responses between the Who, Bill Evans, Little Feat, Kiss, Warren Zevon and the Talking Heads. The Who and Evans, officially, edged into a shared top spot — since bothRead More

Stewart Copeland takes readers inside the studio for a trio of key Police cuts, revealing the struggles the band had to get its sound right, and the overdubs that made one song all but impossible to replicate. You May Also Like: The Police – ‘Everyone Stares: The Police Inside Out’Read More

While packing up a house in the effort to get it ready for sale, there comes a time when the oddest sensation arrives — when you feel like the house just isn’t yours anymore…and that you no longer belong there. You May Also Like: On the Joy, and the Pain,Read More