Stevie Ray Vaughan became blues’ unlikely savior on way to Hall of Fame glory
By the 1980s, all of the guitar gods were gone, or otherwise occupied. Into this unlikeliest of scenarios stepped Stevie Ray Vaughan.
By the 1980s, all of the guitar gods were gone, or otherwise occupied. Into this unlikeliest of scenarios stepped Stevie Ray Vaughan.
A years-long labor of love helps save a key piece of musical, not political, history.
From its band name –– which sounds like a something off the front porch of a shotgun shack — to its muscular, harp-driven opening track, you’d be forgiven for assuming Gator and Mudcat’s Back in the Game was just another blues-rocking project. You May Also Like: Tom Petty and theRead More
It probably goes without saying that, once you found yourself stranded on a distant island, there would be blues. And every kind, too — Delta, dirty, city, country, grease-popping, Texas crunching, let-it-all-hang low, you name it. You May Also Like: How Eric Clapton’s ‘Me and Mr. Johnson’ Made the CaseRead More
The truth is, even if you never bought a record like “Le Freak,” Chic’s wall-to-wall late 1970s hit, Nile Rodgers was all over your radio dial anyway.
by Fred Phillips For a guy that once told me in an interview that he couldn’t seem to make everyone happy with his mix of blues and rock, Kenny Wayne Shepherd has done pretty well for himself. You May Also Like: Jimmie Vaughan reached back for ’50s-style cool on PlaysRead More