Composer, educator and vocal-group conductor Douglas Helvering, best known for his YouTube channel, The Daily Doug, discusses LPs that changed everything.

The forthcoming Steven Wilson re-mix of Gentle Giant’s ‘Free Hand’ once again lowers the volume, brightens the colors, and allows wonderful separation.

Derek Wieland of Trans-Siberian Orchestra joins Ross Boissoneau to discuss key albums from Yes, Pink Floyd, Emerson Lake and Palmer, and Steven Wilson.

King Crimson’s ‘In the Court of the Crimson King’ was a product of a time when creating new styles with no boundaries was not only welcomed but expected.

Today marks the worldwide release of ‘Blackfield V,’ the fifth installment of the Aviv Geffen/Steven Wilson collaboration – except in North America.

Now a true Steven Wilson/Aviv Geffen collaboration again, Blackfield gets its mojo back with ‘Blackfield V’.

Listening to Steven Wilson’s new remix of the historically muddy ‘Chicago II’ is like hearing it for the first time all over again.

The upshot of ‘4 ½’ is that Steven Wilson’s chaff still beats most of contemporaries’ wheat because his creative zeal doesn’t ever seem to take days off, even for songs he sets aside.

‘The Incident,’ released this week in 2009, helped establish Porcupine Tree as a melodically inclined, less wank-inclined progressive rock band.

We return for a glorious run through the 40th anniversary reissue of King Crimson’s ‘Larks’ Tongues in Aspic,’ originally released on March 23, 1973.