The Bee Gees were in a precarious position 55 years ago when their only original double album was first released in the UK. They turned in a masterpiece.

American listeners have probably never heard of the Slow Slushy Boys. Here are a couple of examples of why that needs to change.

This self-titled LP from Gothenburg, Sweden-based Kyte was a solid debut by a very promising group. In fact, I called them the best new band of 2008.

Aviation Blondes’ debut LP was contemporary pop-rock music, and not the garage rock that you’d expect from the Get Hip label.

Asked to pick five favorite Yuletide songs (and only five), our panel of holly-jolly musical enthusiasts offered some occasionally offbeat suggestions.

A deep dive into Bert Sommer’s work with the Left Banke and Mountain’s Leslie West, on stage with ‘Hair,’ on screen with ‘The Krofft Supershow’ – and, of course, at Woodstock.

The debut single from the Cretins is a ’60s mid-tempo garage rocker that’s instantly catchy, contemporary, and memorable.

A reissue of Pearl Harbor and the Explosions’ delightful New Wave debut is more than welcome and long overdue.

The Embrooks’ highly anticipated ‘We Who Are’ represents a welcome, positive and long-overdue comeback.

Tony De Meur discusses the struggles he had in compiling the Fabulous Poodles’ new ‘Mirror Stars’ box set, and the possibility of a long-hoped-for reunion.