In 1972, Albert King joined forces with some of the leading figures in the legendary Stax soul sound to create one of his most celebrated releases You May Also Like: No related posts.

2011 brought its share of comebacks (Gregg Allman, the Meters’ Zigaboo Modeliste, the Time) Stax-related joys (both Booker T. Jones and Steve Cropper issued solo sides) and out-of-nowhere delights (Big Head Todd does the blues?). But how did they rank on my list? Read on, as I count down myRead More

The Bo-Keys, with a spring-loaded, testifying Memphis vibe associated with Otis Redding, Rufus Thomas and Al Green, have put out an album that bubbles like a dark, spicy gumbo. You May Also Like: Al Green’s Secular Comeback Was Made Complete With Lay It Down The Black Keys Hit Upon theRead More

Rufus Thomas, R&B scamp and known ass-shaker about town, was the ripe old age of 53 when this single was released. He hadn’t lost one bit of arm-flapping gusto. Yet, “Do The Funky Chicken” still came out of nowhere. Thomas’s label, Memphis-based Stax, had recently severed ties with Atlantic Records,Read More

Tribute records are a tricky things; star-studded tribute projects even more so. It takes a strong unifying voice, some central character beyond the featured composer, to save them from sounding like choppy compilations. Steve Cropper, on today’s 429 Records release Dedicated, is that voice. Co-founder of Booker T and theRead More

Steve Cropper, of Booker T. and the MGs and Stax Records fame, has trouble picking any one moment on his upcoming star-studded project Dedicated as his favorite. So, we went further back into his legendary soul-soaked career. You May Also Like: No related posts.

Steve Cropper talks about key influences, and how a last-minute delivery charge almost derailed his legendary music career.

His name is linked forever with the town, and the sound, of Memphis. But Booker T. Jones’ influence moves beyond Beale, into hip hop and today’s rhythm-and-blues — something that’s underscored on The Road from Memphis You May Also Like: No related posts.

Bobby Whitlock reflects on Derek and the Dominos’ ‘Layla and Other Assorted Love Songs,’ and other career highlights.

They are, these odds and ends, the last great treasure left by one Sam Maghett — better known as Magic Sam. This god of the tremolo embodied (just as fully, but with far less fanfare) the same gritty and adventurous West Side Chicago swagger more commonly associated with Buddy GuyRead More