Released 50 years ago, “Sail On, Sailor” was a highlight of a Beach Boys era marked by seismic change, both musically and visually. It wouldn’t last.

‘Voortvlugtend,’ from South African cult-favorite Buckfever Underground, simply begs for repeated listening – preferably wearing big, scruffy earphones.

Mabuta’s fun ‘Finish the Sun’ works in the background at friendly get togethers, but also boasts the kind of musical detail that invites closer scrutiny.

I look back at what went on in the 1990s and it seems like a completely different world. An impossible world. You May Also Like: Ross Hammond and Jay Nair – ‘Hope’ (2020) Marc Ribot’s Ceramic Dog – ‘Hope’ (2021) Seth Walker – ‘I Hope I Know’ (2022)

Rubix, an ever-shifting amalgam led by South African songwriter and producer Matt Rod, sounds like a different band on each of the EP’s four cuts — and that’s by design. You May Also Like: The Crazy World of Arthur Brown, “Fire” (1968): One Track Mind

In his relentless pursuit of unique sounds with real emotional depth, Wadada Leo Smith has for nearly five decades experimented with so many approaches, both in styles and configurations You May Also Like: Wadada Leo Smith – Najwa (2017) Vijay Iyer and Wadada Leo Smith – a cosmic rhythm withRead More

Former Yes star Trevor Rabin discusses ‘Jacaranda,’ his second career in film and of course his time with one of prog rock’s signature bands.

In 1984, Paul Simon faced a creative crossroads. His last album, 1983’s Hearts and Bones, was a commercial disappointment, although it received some favorable reviews You May Also Like: Why ‘Wakafrika’ Should Have (Finally) Made Manu Dibango a Huge Star