Mary Halvorson the garage band indie rocker? Sure, why the hell not? You May Also Like: Mary Halvorson – Code Girl (2018) Tomas Fujiwara, Ben Goldberg + Mary Halvorson – The Out Louds (2016) Mary Halvorson – ‘Cloudward’ (2024)
As the reigning champ of blues-rock guitarists after Clapton’s generation, Joe Bonamassa attracts notice whenever he issues new music (and to the great delight of his fans, he does this often). You May Also Like: Joe Bonamassa – Blues of Desperation (2016)
How appropriate that the Emporers of Wyoming, a Butch Vig band more than three decades in the making, has fashioned a folk-reverie out of the Afghan Whigs’ crunchy “Rebirth Of The Cool.” You May Also Like: David Philips, “Home” from Winter (2017): Something Else! sneak peek
Our second taste of this forthcoming Black Country Communion-offshoot band’s self-titled debut finds California Breed riding a firmament readjusting beat from Jason Bonham toward lip-smacking heavy-rock nirvana. You May Also Like: How Black Country Communion’s Debut Brought Back ’70s-Style Hard Rock
Even as Neal Schon works on a long-awaited reunion with the Santana band, he’s unleashing a taste of what he calls “Latin fusion” from a forthcoming solo album with Marco Mendoza and Deen Castronovo. You May Also Like: Journey’s Neal Schon, “El Matador” from Vortex (2015): One Track Mind
Johnny Orr assumes the role of an autistic boy and says what that boy might say if he were able communicate like a neurotypical kid in his gently swaying ballad, “We’ll Get By (The Autism Song).” You May Also Like: Noah Jack, “Neighborhood” (2017): One Track Mind
The Allman Brothers Band will soon pull into the station for good, but Gregg Allman shows via a forthcoming concert film that he’s not finished playing the role of Midnight Rider. You May Also Like: How the Allman Brothers Band Rebounded Despite Crushing Loss
Ray Wilson took the stage last year with an eye on framing his legacy, both in Stiltskin and in Genesis. You May Also Like: Ray Wilson – Song for a Friend (2016) It’s time to give Genesis’ Calling All Stations, ex-frontman Ray Wilson a fair hearing
Only a free-form improvisational group like moe. could start out with the aim of a barn-recorded acoustic album and somehow end up working with a producer who made his name in hip hop-circles. You May Also Like: No related posts.
Emmylou Harris returns to a Gram Parsons song she first took on for 1979’s Grammy-winning Blue Kentucky Girl, only this time alongside the Seldom Scene as the DC-area bluegrass group makes its Smithsonian Folkways debut. You May Also Like: Rod Harris Jr., “I Can’t Tell You Why” from Exits andRead More
