by Mark Saleski Paul Simon’s career has something that is becoming quite rare in the entertainment world: longevity. Yes, the songs on this collection span over three decades. During that time period our culture, the music biz, and Simon himself have seen great changes. So has every one of us.Read More

by Tom Johnson I am fully prepared to admit that I am wrong when I am wrong. I’m just not wrong that often, not about music. But, in this case, I’ve been wrong about John Mayer. You May Also Like: Nik Bärtsch’s Mobile – Continuum (2016) Thom Yorke – SpittingRead More

Photo from Fallon Cush’s MySpace page by Nick DeRiso Fallon Cush grows more confident with each passing song on their self-titled debut. Perhaps because singer Steve Smith put this together on the fly, enlivened by passion and not weighed down by heavy planning. You May Also Like: The Beatles’ AbbeyRead More

Photo by Mark Seliger by Nick DeRiso “The Afterlife,” featured on Paul Simon’s forthcoming album So Beautiful or So What, is pulsing and sinewy — almost like a lost track from Graceland. Not that there’s anything wrong with that. See, Simon has said the premise of this new recording wasRead More

by Mark Saleski In the past handful of years, I have jettisoned a few distractions: namely, sports and television, which are sort of related. Rounding out the list is politics. I have decided that, because my thoughts on “the right thing to do” are so far outside of the mainstream,Read More

A Fragile Tomorrow builds out from the country-rock synthesis of pathfinders like the Band and the Byrds – but there’s something else here.

Photo by Lindsey Verrill, from Melissa Engelman’s MySpace page by Nick DeRiso Austin-based singer-songwriter Melissa Engleman explores life with a tough vulnerability on the urban folk set At the Hotel Café, often displaying a fortitude so quiet as to deceive. She gets knocked to the ground, while brilliantly fusing alt-country,Read More

Photo from Todd Christoffel’s ReverbNation.com page by Nick DeRiso Seattle-based folk-rockers Don’t Ask have a fondness for the comfy sounds of 1970s pop, though they are careful not to get too caught up in nostalgia. They simply use that era’s singer-songwriter-inspired prose, its soaring symphonic pop structure and its feel-goodRead More

by Nick DeRiso The truth is, she never really left me. We would ride around, listening to eight-track tapes – or else pull a stereo speaker outside and swing on the back porch – then sing. We listened to Elton John, me and Mom. “They say Spain is pretty,” IRead More

by Nick DeRiso New York City-based Brian Hugh O’Neill can’t get away from hard truths on Free World. “The light’s not very kind in this place,” O’Neill sings in the anthematic “Careful What You Want.” “There’s a shadow moving over your face.” That shadow is moving, really, over the wholeRead More