by Mark Saleski In the past handful of years, I have jettisoned a few distractions: namely, sports and television, which are sort of related. Rounding out the list is politics. I have decided that, because my thoughts on “the right thing to do” are so far outside of the mainstream,Read More

A Fragile Tomorrow builds out from the country-rock synthesis of pathfinders like the Band and the Byrds – but there’s something else here.

Photo by Lindsey Verrill, from Melissa Engelman’s MySpace page by Nick DeRiso Austin-based singer-songwriter Melissa Engleman explores life with a tough vulnerability on the urban folk set At the Hotel Café, often displaying a fortitude so quiet as to deceive. She gets knocked to the ground, while brilliantly fusing alt-country,Read More

Photo from Todd Christoffel’s ReverbNation.com page by Nick DeRiso Seattle-based folk-rockers Don’t Ask have a fondness for the comfy sounds of 1970s pop, though they are careful not to get too caught up in nostalgia. They simply use that era’s singer-songwriter-inspired prose, its soaring symphonic pop structure and its feel-goodRead More

by Nick DeRiso The truth is, she never really left me. We would ride around, listening to eight-track tapes – or else pull a stereo speaker outside and swing on the back porch – then sing. We listened to Elton John, me and Mom. “They say Spain is pretty,” IRead More

by Nick DeRiso New York City-based Brian Hugh O’Neill can’t get away from hard truths on Free World. “The light’s not very kind in this place,” O’Neill sings in the anthematic “Careful What You Want.” “There’s a shadow moving over your face.” That shadow is moving, really, over the wholeRead More

Photograph by Caleb Chancey by Nick DeRiso Hannah Miller sings in a raw, emotionally available register that occasionally goes so high it’s almost outside of her control. That lends a heartrending urgency to songs like “All My Love,” released in August as part of a four-song EP called Journey toRead More

by Nick DeRiso Erik Hartley can’t decide about things, and that uncertainty creates an interesting tension on the new EP Not Me Being Nervous. The in-joke ends up being that he’s anything but “not nervous.” Hartley, instead, couldn’t be less settled, with looming questions about girls, about life, about gettingRead More

Lucinda Williams brings a brave, riveting vulnerability to Essence — and, for me, it’s her masterpiece. Yet you are more apt to find it in the cutout bin at a big-box department store than at the top of most people’s desert-island lists. Perhaps the sensual melancholy of Essence was tooRead More

by Nick DeRiso It takes a complex, genre-bending singer to fend off the distracting brilliance of fabled guitar-playing Danny Gatton. Maine-based Steve Erwin, who made his name playing around Washington, D.C., pulls it off on the newly re-released Was It Like This. Originally recorded in December 1988 with Gatton, theRead More