Albert Collins, Stevie Ray Vaughan, Willie Dixon, Dr. John, Eddie Floyd, Steve Cropper – A Celebration of Blues and Soul (2014)
A years-long labor of love helps save a key piece of musical, not political, history.
A years-long labor of love helps save a key piece of musical, not political, history.
Far more interesting than punk, far more satirical than they ever were political, far more important than their relatively brief time on top would ever indicate, the Clash richly deserved just this kind of exploration. You May Also Like: ‘All Things Must Pass: The Rise and Fall of Tower Records’Read More
Big Head Todd and the Monsters burst onto to the live-music scene in the late 1980s with a heady sound best described as blues-based, loose and laid-back pop. More recently, however, they have been focused more on the rootsier sounds of Todd Park Mohr’s adopted hometown of Chicago. You MayRead More
A lot of the charm of this series’ initial two volumes — which focused first on the 1960s and then the ’70s — was in hearing these two delve back into found sounds from outside their own era. You May Also Like: How the Sweet Finally Came Into Their OwnRead More
Despite the lofty musical goals here, Emerson Lake and Palmer’s idea to tour in support of 1977’s Works with a full orchestra was fraught with issues You May Also Like: With Works, Emerson Lake and Palmer began to fall apart: ‘It just proved to be so unwieldy’ Emerson Lake andRead More
The 1980s were marked by benefit extravaganzas, though oftentimes — whatever their noble intentions — they boasted both dubious musical results and unclear benefits. Amnesty International events were different. You May Also Like: When Peter Gabriel Suddenly Decided to Open Up on ‘Us’
Check out this signature tune from Emerson Lake and Palmer’s last performance with a 70-piece orchestra on their 1977 tour in support of Works. You May Also Like: With Works, Emerson Lake and Palmer began to fall apart: ‘It just proved to be so unwieldy’ Emerson Lake and Palmer –Read More
The scope of its musical tastes, despite such a brief lifespan, was in many ways as interesting as the skits were on ‘Fridays.’
Friends, hold on to The Complete Stax/Volt Singers Collection. Squeeze it. Never leave it. After all, the best-known songs on Disc One alone are more than enough to make the case for Otis Redding You May Also Like: No related posts.
This lo-fi ’90s-era Grateful Dead concert holds lasting significance since it documents their intriguing collaboration with Bruce Hornsby.