Viviana Zarbo can switch from being as sensual as breathing to being as scary as a she-devil in a heartbeat.

Carmen Sandim’s ‘Play Doh’ is full of surprises, as things which would not seem that attractive in theory work out beautifully.

Standards are treated with respect, but still given a striking individuality on violinist John Pearce’s debut ‘Just Friends.’

Barb Jungr hinted that this could be her last album. I, for one, sincerely hope not.

Charlie Carter’s ‘Every Ounce of Love’ was written from the soul, sung from the heart and delivered with quality.

Tom Pierson’s ‘Last Works’ features some of the best and most listenable music with a traditional bias I have heard for a long time.

Sarah Gail Brand has been described as “the most exciting trombone player for years,” and I agree.

‘Ends Meeting’ uncovers a lost one-off collaboration between David Cross and Andrew Booker. Each creative, each inventive, what’s not to like?

Fabian Almazan’s nature-inspired ‘This Land Abounds With Life’ is an album with something for everyone.

Jazz is an inclusive music. So why did an established British journal publish a piece containing a gay slur?