Entertaining and clever in places, Gilad Atzmon and Enzo Apicella’s ‘A to Zion: The Definitive Israeli Lexicon’ makes for an interesting read.

In addition to his own terrific bands, Terry Edwards has worked with PJ Harvey, Nick Cave, Tom Waits, the Blockheads and Robyn Hitchcock.

‘Dance Me This’ is diverse in its content and genre references, outer-worldly, edgy and, OK, a little bit weird. Just like Frank Zappa.

The overriding sense you get from listening to Joe Smith and the Spicy Pickles’ ‘High Fidelity,’ carefully crafted to evoke a true swinging ’40s style, is one of well being.

The forthcoming centennial tribute ‘Muddy Waters 100’ finds a series of guest stars adding new dimension to his stirring blues legacy.

Renato D’Aiello’s ‘Satori’ surprised me in all the best ways good music can, and I warmed more to it with each play – and there have been many.

New musical combinations can offer incredibly special moments. As Davey Payne, Terry Day and others performed, I realized: This was such an evening.

Sammy Stein sits down with saxophonist Colin Webster to discuss those unlikely situations where you find the greatest musical connections.

Deadly Orgone Radiation shows what happens when musicians come together who listen, cooperate and interact on a level unattainable for many.

If this terrific collaboration between Dutch jazz heavies is ‘The New Wave of Dutch Heavy Jazz,’ then let the waves roll over us.