‘Hesitantly Pleasant’ is a ridiculously endearing album which takes the listener on a corkscrew journey through mindsets, concepts and ideologies.

Colin Stetson’s ‘All This I Do For Glory’ is an album which, like all the good ones, gives more with each listen.

‘The Garden of Earthly Delights’ celebrates Hieronymus Bosch, whose surreal paintings seem to give John Zorn’s Simulacrum permission to follow similar patterns.

Ted Milton’s work with Blurt has been branded “jazz,” “post-punk,” “dance” and “experimental,” but there isn’t a pencil-pusher name to define an act like this.

This generous two-disc set is packed with recently recorded Wilko Johnson goodies, including re-workings of several Dr Feelgood favorites.

There is a sense of David Bowie’s essence here – not the characters he created but Bowie as the song master.

Ballister’s ‘Slag’ is free-form music – played that way and at its best.

The London Jazz Platform, to be held in June 2017 at the Brewhouse in London, will include performers from across the U.K. and Denmark.

The Rolling Stones bring an effervescence and a sense of fun to ‘Blue and Lonesome’ that makes it entirely listenable.

With the new ’57th and 9th,’ Sting makes a welcome return to a more rock-rooted style after a period away from the genre.