Steely Dan Sunday: “Reelin’ In the Years” from Can’t Buy a Thrill (1972)
Steely Dan stuck with me through the years, because this brainy, Jack Kerouac-type hipster band remained appealing even as my tastes in music evolved.
Steely Dan stuck with me through the years, because this brainy, Jack Kerouac-type hipster band remained appealing even as my tastes in music evolved.
In defense of Rush, a band that delved into Ayn Rand, sci-fi, songs about balding, fights between dogs and, well, whatever a Bytor is.
We already knew how well they can rock it, with searing lyrics and memorable melodies. ‘Go-Go Boots’ showed the Drive-By Truckers had soul.
by S. Victor Aaron Scherr is an American jazz bassist who resides in Hong Kong and spends his time trying to foster creative music within China. A few years ago, he got the urge to fulfill a longtime goal of making music with saxophonist Michael Blake, and he wanted toRead More
by S. Victor Aaron Robert Hurst is a guy I remember being Wynton Marsalis’ bassist in the late 1980s, before performing in the same capacity for Branford’s Tonight Show band. From there, I don’t recall much. But that’s on me because in reality, Hurst has kept very busy: he’s servedRead More
by S. Victor Aaron Listening to Shawn Costantino’s Waltz For Anne, you’re reminded of Stanley Turrentine or Gene Ammons. Also, he takes on a few standards, but only one of them (“The Touch of your Lips”) is a jazz one. The other two are taken from The Beatles (“Can’t BuyRead More
by S. Victor Aaron Women continue to move into areas of jazz long dominated by men, and in a big way. Even since I made a big to-do about this trend a couple of summers ago, the parade of girls muscling their way into the boys’ club continues on strongerRead More
by S. Victor Aaron NOLA-based Plunge is back again to follow up on their stripped down trombone-based brand of funky jazz found on Dancing On Thin Ice, Tin Fish Tango. Once again, ‘bone player Mark McGrain leads a small ensemble with bassist James Singleton of Astral Project, a sax playerRead More
by S. Victor Aaron Bassist Luther Hughes leads a tenor sax/alto sax quintet in its forth recording paying tribute to the spirit of Cannonball Adderley and John Coltrane. Specifically, The Cannonball Adderley Quintet in Chicago album recorded with Miles Davis’ band sans Miles himself just six months before they allRead More
Yes has taken more twists and turns than the fantastical lettering created for its album covers by Roger Dean.