Released on Oct. 26, 1973, ‘Quadrophenia’ has never quite escaped the shadow of ‘Tommy,’ despite the Who’s best efforts. Here’s why it should have.

‘Chrome Dreams II,’ released Oct. 23, 2007, showcased all of Neil Young’s many sides. A blockbuster 18-minute track brought everything into focus.

Warren Zevon’s one-off collaboration with members of R.E.M. in the Hindu Love Gods was filled with comfy cover tunes. But one of them stood out.

When ‘All’s Well That Ends Well’ arrived on Oct. 11, 2010, it looked as if Toto was over. Steve Lukather stepped forward to accept the mantle.

Released on Oct. 11, 1972, Miles Davis’ ‘On the Corner’ remains fresh and funky. So, why isn’t it more widely accepted as a fusion masterpiece?

With ‘Break Up the Concrete,’ released Oct. 7, 2008, the Pretenders found their old edge – but not with a return to hard-driving punk styles.

‘Talk Is Cheap,’ released by the Rolling Stones’ Keith Richards on Oct. 3, 1988, was an island of rock and roll grit in a sea of shallow glitter.

Every song from Taj Mahal’s ‘Maestro,’ released on Sept. 30, 2008, was a change up. He’s a Swiss Army knife of the blues.

With ‘Arena,’ released on Sept. 29, 2008, Todd Rundgren again created music best heard cranked to 10 – loud enough to hear on the very back row.

Walter Becker’s ’11 Tracks of Whack,’ released on Sept. 27, 1994, is both a neglected minor treasure and a delightfully peculiar album.