Desertion Trio’s fun and unpredictable all-covers ‘Twilight Time’ is a vehicle for mining a wide range of non-jazz influences for Nick Millevoi.

40 years ago, Pat Metheny took the first of many detours into quiet emotion. ‘New Chautauqua’ remains the one that most strongly connects.

Ben Monder has this rare ability to effortlessly abstract harmony without robbing it of any of its emotional impact.

Here is the video premiere of “Jaam Rek” from Naomi Moon Siegel’s upcoming album ‘Live at Earshot.’

Cyril Neville’s gritty, honest and culturally rich ‘Brand New Blues’ arrived 10 years ago this month.

Sam Weinberg joins with refugees from Little Women to form the new trio Bloor, and it’s wild, acerbic and even a bit mathematical.

Bill Frisell and Thomas Morgan play with the intent to extract every honeyed drop from these rich melodies, a hallmark of both artists.

It doesn’t matter how antiquated lap steel and drums might seem, when Ross Hammond and Jon Bafus are brought to the equation, captivating things happen.

Underrated guitar god Oz Noy celebrates the boogaloo style of Latin rhythms applied to soul, jazz and rock ‘n’ roll during the ’60s with ‘Booga Looga Loo.’

Once again, Ivo Perelman follows a path that the listener has never gone down before – or the musicians, for that matter.