Byron Asher’s Skrontch Music, “Blues Obligato” (2019): Something Else! video premiere
Byron Asher’s “Blues Obligato” is kind of like Dixieland informed by a hundred years of music development.
Byron Asher’s “Blues Obligato” is kind of like Dixieland informed by a hundred years of music development.
Tom Tallitsch’s ‘Ten’ sometimes posits itself closer to rock than jazz, but it retains all the improvisation and musicianship associated with the latter.
Neal Francis is making the most of his second chance to make a first impression, creating quality soul music earnestly by hand.
Miles Okazaki constructs songs that go against convention, telling a different, engaging musical story with each piece.
“Just Another Story” arrived 25 years ago today as part of Jamiroquai’s sophomore release, ‘Return of the Space Cowboy.’
Pearring Sound is the moniker affixed to music led by alto saxophonist Jeff Pearring, and that sound is jazz that’s sometimes playful and always daring.
The only way to lose with Ameondola Vs. Blades’ funky delight ‘Everybody Wins’ is if you miss out on putting an ear to it.
As frontman David Lee Roth celebrates his 65th birthday today, we return to a handful of Van Halen favorites.
Divergent, fearless, unpredictable and vulnerable, Jaimie Branch has made good on the great promise of ‘Fly or Die’ by soaring again on ‘Fly or Die II: bird dogs of paradise.’
Perhaps ‘Good Hope,’ the new collaboration from Dave Holland, Zakir Hussain and Chris Potter, was meant to be. It sure sounds that way.