Here is the video premiere of a sensuous cover of the jazz standard “Goodbye” by the Doxas Brothers.

Daniel Carter, Patrick Holmes, Matthew Putman, Hilliard Greene and Federico Ughi create improvisational music of uncommon elegance and shared vision.

Jason Stein and Adam Shead’s ‘Synaptic Atlas’ is not at all about notes and charts but rather, making a metaphysical connection and exchange through their instruments.

‘Molecular’ uses the double helix DNA component structure as a compass to guide James Brandon Lewis’ own harmonic map.

The smart/funny 1957 Tail-Fin Fiasco put forth this video of yet another tune demonstrating the lost art of storytelling in song, with a witty twist.

Matthew Shipp and Rob Brown’s ‘Then Now’ finds two fiercely individual artists blending into a creative whole without compromising their identities.

OM have been at the forefront of improvised music for almost 50 years, and ‘It’s About Time’ shows they’re still doing it as well as ever.

Black Country Communion’s self-titled debut arrived 10 years ago today as a thunderous reminder of the golden age of Deep Purple, Black Sabbath and AC/DC.

Singing and playing like a boss is an under-appreciated talent, and Wendy Eisenberg shows she can handle this demanding dual chore with “Centreville.”

Merzbow, Mats Gustafsson and Balazs Pandi know how to manipulate calmness to make it as impactful as the ceaseless noise that they also create.