Fifty years on, Patrice Rushen’s ‘Prelusion’ continues to be more than some artifact of its time, it’s the auspicious introduction of a precocious, enormous talent

The moments are long on ‘Chrononaux’ but there aren’t any dull ones. Camila Nebbia, Dietrich Eichmann, John Hughes and Jeff Arnal are just too dialed into each other for that to happen.

Jazz is supposed to be the music of discovery, and ‘Wood Blues’ captures the free jazz quartet [ahmed] in the very act of discovery.

‘Shorter Notes’ from the Luca Gelli Organ Trio puts a greasy, soul-jazz spin on Wayne Shorter’s incomparable set of songs that work well in this kind of layout.

‘Eyes On The Horizon’ celebrates the pupil as much as former mentor Wadada Leo Smith, as Joe Fonda since set on a path that’s led him to the company of the best in highly creative, highly improvised jazz.

By distilling from ambitious artists like the Coltranes, Anthony Braxton, Sun Ra, Cecil Taylor and others, Ingebrigt Håker Flaten was able to achieve his own, far-flung ambitions with ‘Breezy.’

Starting with his 2014 big label debut ‘Rising Son,’ Takuya Kuroda preserved the integrity of jazz as he stretches far beyond its tradition to make it embraceable for newer generations.

The concept of making creative music solely with four reeded horns isn’t a new one but under Ivo Perelman’s direction, the concept has been thoroughly refreshed.

Emily Remler’s string of records during her short lifetime revealed an astonishing, groundbreaking guitar talent but didn’t reveal how that talent translated to the stage. ‘Cookin’ At The Queens, Live In Las Vegas 1984 & 1988′ at long last rectifies that.

‘SPIN’ continues Nik Bärtsch’s ritualistic groove safari, keeping it familiar but incremental enough to delight even longtime listeners