There’s no indecision on Ivo Perelman and Matthew Shipp’s ‘Amalgam,’ because they don’t need time to figure out their next move. It’s instantly understood.

There’s so much ingenuity and telepathy on Tatsuya Nakatani and Shane Parish’s ‘Interactivity,’ it’s easy to forget this is merely an acoustic guitar and some percussion.

There are so many unaccompanied piano records from Matthew Shipp, it’s fair to wonder if it just gets redundant after a while. But they don’t.

Here is the premiere of György Ligeti’s “Fanfares,” as performed by Brian Krock’s Big Heart Machine jazz orchestra.

With lengthy reputations in cutting edge jazz, improvised music and rock, Matt Mayhall and Dan Rosenboom bring a unique telepathy to this project.

Peter Frampton returned to bread-and-butter straight-ahead rock 10 years ago today on ‘Thank You Mr. Churchill.’ It may as well have been 1976 all over again.

Here is the streaming premiere of Charles Rumback’s “Burning Daylight” track from his upcoming LP ‘June Holiday.’

For those craving quality, smart mainstream rock, the 1957 Tail-Fin Fiasco’s ‘The Harvard Tango’ is well worth the listen and the purchase.

Released a decade ago this week, Anders Osborne’s ‘American Patchwork’ showcased both his rocking and songwriter sides.

Released a decade ago this week, ‘True Love Cast Out All Evil’ stands as Roky Erickson’s last heartfelt invitation back to a career often ofter looked.