A lot of jazz records are about compositions and chops. Michael Bisio and Matthew Shipp’s ‘Flow of Everything’ is more about the connectedness between two very creative musicians.

The soulful guitar/organ jazz thing is perfectly suited for a saxophone pedigree like Nick Hempton, and with ‘Slick’ featuring guitar great Peter Bernstein, he keeps those good vibes going.

Here is “I Didn’t Mean It,” a new smooth groovin’ single from jazz-pop songstress Lindsey Webster with a nice assist from Brian Culbertson’s trombone.

Steven Bernstein’s MTO and Catherine Russell convert Allen Toussaint’s R&B classic “Yes We Can” into a joyful, New Orleans jazz funeral parade.

‘Inimitable’ is an intimate solo acoustic bass recording where Michael Bisio seemed to have plowed ahead and played with a lot of heart and instinct with not too much forethought.

On Burnt Belief’s ‘Mutual Isolation,’ the music takes another step forward in the band’s progression with a relative ‘back to basics’ approach. That’s all due to the limitless creativity and musicianship of Colin Edwin and Jon Durant.

Asked to pick five favorite Yuletide songs (and only five), our panel of holly-jolly musical enthusiasts offered some occasionally offbeat suggestions.

The only thing that beats a white Christmas is a blues Christmas, particularly the vintage style blues proffered by Ben Levin for his yuletide tune “Forgot Mrs. Claus.”

Take away the fussy orchestral arrangements from these vintage songs and you’re left with what made Bob James a long-time great. He still is.

Rich Halley’s ‘Boomslang’ is a mixture between of Halley-written material and group improvisations, and both approaches work equally well.