With the long-deferred release of ‘The Lost Album From Ronnie Scott’s,’ there is now a significant new addition to the Charles Mingus catalog to discover and marvel at.

‘John Scofield’ shows that in stripping down the arrangements to just his parts, there remains a lot of him left to uncover.

With the lively ‘Lifted,’ Trombone Shorty lifts up people with feel-good music rooted in the 20th century but is the perfect tonic for the 21st century.

The disparate artistry of Will Bernard comes into sharper focus on ‘Pond Life’ because he pulls all those threads together into one tidy package.

This is the video premiere of “Bethema” from klezmer jazz ensemble Queen Kong’s upcoming album ‘Fray.’

All that hype surrounding a child who plays a sophisticated music form like an old veteran is real, but now that Joey Alexander is no longer child and finding his own identity, the hype feels even more real than before with the all-originals ‘Origin.’

Times have changed but in adapting to it on ‘I Hope I Know,’ Seth Walker shows that his mastery of Americana music is just as it was during the ‘old’ times.

Brandon Seabrook never undertakes paths chosen by others, but rarely has he had such willing and able partners in crime to carry out his scintillating eccentricities as Gerald Clever and Cooper-Moore.

Living up to its name, Jacob Garchik’s ‘Assembly’ artfully puts together improvised parts to create structured pieces, only to place it back against its loose origins.

With ‘Threesome, Vol. 3,’ the Lickerish Quartet once again comes up with songs that are designed complex but come off catchy and frictionless.