by S. Victor Aaron A side project of hip-hop artist Madlib, the music is pretty much what the ensemble’s name advertises. It’s loose, trippy and stretched out. There isn’t a whole lot of standout improvisation going on, because this is more of a groovy vibe based affair. But as farRead More

Like Christian Scott’s prior two albums, ‘Yesterday You Said Tomorrow’ is a jazz record that’s direct, deep and lives in the present.

by S. Victor Aaron Shipp is one of the currently reigning giants of whack jazz, so that’s a good-sized hole we proud avant garde types left on this site. My short mention of his latest is merely a down payment to rectify that gap. This latest release, by the way,Read More

by S. Victor Aaron Guitar whiz Buckethead has built a loyal following primarily by virtue of his fretted pyrotechnics. Among the several records he makes every year are the mellower, dulcet types that range from ambient to instrumental pop. In some ways , this toned-down record by a fiery guitaristRead More

S. Victor Aaron I haven’t heard this band prior to this album, but was curious about them after reading they were some sort of a jam band, like Phish, Dave Matthews or Humphrey’s McGee. Man of The World doesn’t really conjure up memories of those bands at all except toRead More

Drumming ace Allison Miller might not be a household name yet but, boy, she sure is linked to a whole host of them.

by S. Victor Aaron This one’s not dropping until April 13 and I’ve listened to it only a few times, but I think it’s a pretty easy album to peg. This is one Jeff Beck long player where there’s a lot more emotion happening than commotion. The stomping blues-rock fusionRead More

by S. Victor Aaron Here’s a trio of African-Americans playing bluegrass, vintage country, jug and other hillbilly styled music, played the old-fashioned way. But just listen to the music and you’ll realize the appeal isn’t at all in the novelty of this setup. No, it’s because they play it soRead More

Otis Taylor might very well be the greatest bluesman of the 21st century. Not the best blues-rocker, not the best Delta bluesman or soul-bluesman; just the best straight-up bluesman. That’s because when I listen to any Taylor record, I hear strong echoes of the Delta blues, while detecting a restlessRead More

‘Mama Rosa,’ named after Brian Blade’s grandmother, is a thematic album built around family, faith and early life events, as well as people he’s come to love along the way.