‘Fallows’ is different because the perspective is different. It’s up to us to find the beauty that transcends the chaos; Caroline Davis found it in the American Rockies and shares it with us through these recordings.
It’s time to re-embrace all the energy and funky fun of Mullet Jazz. You don’t need a mullet or a time machine to take this trip; Finely Tuned Elephant’s ‘No Goats’ is here to re-create that feeling in the present.
Bassist Michael Formanek who has a reputation for consistently coming up with novel creative approaches to jazz just put his imagination into overdrive for ‘New Digs.’
Once again, multi-faceted artist Alabaster DePlume defies neat categorization with this new instrumental single “Bringing Up the Nakba”.
‘ELEPHANT’ shows Adam O’Farrill’s daring to innovate new jazz with disparate non-jazz components comes from the acumen to conceive it and execute it with confidence.
Peter Somuah knows how to push jazz forward to present-day vibes without losing any of jazz’s vintage vitality, and he does it his own way.
Here is the video premiere of Luis Nacht and Camila Nebbia’s “Me condiciona el nombre,” from their collaborative 2026 album ‘Noche y Niebla.’
New drummer Asaf Sirkis didn’t remake Soft Machine in his image but adds a piece that helps to keep a band started in 1966 viable in 2026 with their newest studio album ‘Thirteen.’
Devin Gray has always successfully tackled challenging music, but the Berlin Underground bent of ‘Hz Of Gold’ may be the biggest challenge he’s met yet.
Triple Blind’s ‘Cold Walk’ chronicles a band finding its signature approach to contemporary jazz that combines that headiness of modern jazz with the freshness of today’s indie pop.
