Released 10 years ago today, Son Volt’s ‘American Central Dust’ found Jay Farrar asking questions – and being OK when he didn’t always get answers.

James Booker’s tortured ingenuity was never given its due, partly because he mixed such a dizzying degree of elements into his sound and partly because of his legendary erraticisms. You May Also Like: Birth of Booker T. and the MGs has an intriguing backstory: ‘I only found out later theRead More

Allen Toussaint’s languid, reverie-filled piano introduction to “Southern Nights,” a No. 1 hit he gave to Glen Campbell, is worth the price of admission to his new live set Songbook all by itself. You May Also Like: A side-stage Svengali, Allen Toussaint found musical salvation in Katrina Lee Dorsey –Read More

George Thorogood’s rough-hewn sound has become so ubiquitous — from classic-rock stations to an endless parade of movie soundtracks — that it’s difficult to remember just how nervy these two albums once sounded. You May Also Like: Sylvester – ‘Step II’ (1978; 2020 reissue) James Taylor – ‘One Man Band’Read More

‘Skydog: The Duane Allman Retrospective’ hurtles along with the same restless, furiously creative impetus as its subject.

Little Feat finds a welcome new focus on songwriting, versus the rangy but sometimes ultimately unsatisfying jam-based structures of more recent outings.