This is an updated excerpt from a multi-artist piece I had published as part of the statewide Louisiana Folklife Festival’s program book in 1995. Thomas suffered a fatal heart attack later that same year, in his hometown of Shreveport, La., ending a career that spanned seven decades: On his oldRead More
by Nick DeRiso Benny Spellman’s “Fortune Teller,” a witty early-1960s story song, is one of my touchstone party records. Everything about it is perfectly New Orleans, from the pounding piano to this sizzling island-tinged percussion, from a group of yelping, mesmerizingly groovy R&B backup singers to its not one butRead More
Milton’s roots music, ruddy and real, doesn’t sound anything like his bio: New York City-based singer-songwriter. Instead, we have this sweetly gruff record, “Grand Hotel,” which stands flat-footed in the middle of the four-way intersection of folk-rock, country, blues and pop. Milton, turns out, comes by this honestly: His grandmother,Read More
NICK DERISO: Best to fasten your seltbelts, and put your trays in the upright position. “Git It” is a frenetic, fun-filled journey, this breathless moment of in-concert glory that comes and goes so fast that it remains sadly emblematic of the meteoric rise of Beau Jocque himself. During the lastRead More
If whack jazz isn’t exactly your cup of tea, this fifth and final installment of “The Best of 2008” might suit you better. It’s all about the blues, here. I took a fairly broad view of what is called “the blues.” Some of these records may not have a singleRead More
NICK DERISO: “The Ultimate Session” might not completely live up to the billing. Forgive us, however, if we cherish its sense of hip-shaking fun, anyway. Assembled are a who’s-who group of New Orleans musicians who played nearly five decades before with the likes of Little Richard, Fats Domino and ProfessorRead More
NICK DERISO: You would call Johnny J.’s stuff rockabilly, but that’s too small of a space. He’s got some blues in one corner, some echoey 1950s-era balladry in another. Carl Perkins, Fats Domino and Buddy Holly are party guests. This is the point where blues, jazz, country and rhythm musicRead More
NICK DERISO: Asleep at the Wheel has ensured that Texas swing music is no museum piece. In fact, they can be downright postmodern — recording, on occasion, with the likes of Manhattan Transfer and the Squirrel Nut Zippers, while paying tribute to Lone Star musical legend Bob Wills. A niftyRead More
So, you’re Andy Griggs, a sugar-sweet pop-country singer from West Monroe, La. And you’re standing in the lonely bull’s eye of center stage, guitar in hand. There are hundreds and hundreds of pairs of eyes looking back. “The adrenaline!” you say, whispering. “There’s a difference between 1,000 people and 15,000.Read More
NICK DERISO: You see the name “Sonnier,” you think Cajun. And you’re almost right. Sure, Jon Yudkin played fiddle on Kip Sonnier’s “Truth or a Lie.” Steve Duhon was on accordian. And, yeah, Sonnier is a Louisiana native. Even so, Bobby Terry could be found on pedal steel. And thatRead More
