The underrated ‘Flavors of Entanglement,’ issued 10 years ago today, found Alanis Morissette in a moment of fearless introspection. Critics be damned.

Walter Becker could knock out a catchy jingle like “Just One Season” with probably about as much effort as it takes most of us to write something clever on a greeting card.

‘Blow Your Mind’ doesn’t sound anything like what you might expect from someone who did a farewell tour not so long ago. This, in fact, is Wilko Johnson near his best.

Billy Sherwood’s future impact on Yes comes into focus with “The More We Live – Let Go,” his first collaboration with Chris Squire.

A comeback in the truest sense, ‘You Can’t Beat Youth’ returns the Maharajas to their garage-rock roots.

George Harrison’s struggle to balance a simple existence with a rock star’s hedonistic lifestyle is chronicled in the Beatles deep cut “It’s All Too Much.”

Released just before Jeff Lynne arrived, ‘Shazam’ found the Move dropping their pop-art instincts in preference of a more experimental slant.

Strange to say this, but the 1970s adult contemporary star Rita Coolidge actually outdid her with her first real album in twenty years ‘Safe In The Arms Of Time.’

Classic rock is a dinosaur still walking the Earth, but there’s still enough life left in it to consider a few points in the twilight of an era.

Robbie Dupree, Chicago and Peter Banks are part of the latest edition of Five for the Road, an occasional look at music that’s been in my car lately.