Nine minutes of well-played but uninspired AOR, “Real Love” is not quite up to the standards set by Yes in their glory years.

Jeff Lynne once again demonstrated what makes Electric Light Orchestra special, namely combining various genres to render the music timeless.

Like the Real Thing, you might attempt to resist the 1957 Tail-Fin Fiasco’s “39 Grams” but let’s face it, you can’t.

Chicago’s Terry Kath had never sounded smoother or more melancholy. It’s almost as if he knew tragedy would soon befall him.

Toto gets a chance to show off a rare moment of good-natured humor on this fun one-off cover of Weezer’s “Hash Pipe.”

Walter Becker’s estate drops another ’11 Tracks of Whack’ outtake that continues the decades-old theme of falling for a prostitute.

Wearing his heart and influences on his sleeve, Eric Carmen created a cherished debut album that was true to his soul.

Fortunately for fans, a short but musically intriguing period in this group’s history was documented with ‘Chicago II: Live on Soundstage.’

Ten years ago, John Mellencamp confirmed a late-career renaissance with the T Bone Burnett-produced ‘Life, Death, Love and Freedom.’

“Helter Skelter” shatters previous stereotypes of the Beatles and, in turn, reveals the future of rock music.