There was still a market for the kind of solid playing and production being made by Bad Company, even amid the rise of punk and new wave.

John Wicks would be touched by the care these talented artists put into keeping his music and spirit alive.

Ozzy Osbourne’s ‘Ordinary Man’ is extremely difficult to listen to – not because of the content, but because it sounds like utter crap.

A new reissue of the Band’s self-titled second album paired with a group of originals by Robbie Robertson to remind us of their towering influence.

Former Genesis guitarist Steve Hackett joins Mike Tiano to discuss reprises and recapitulations, two of the hallmarks of progressive rock.

A recent show in Cudahy, Wisconsin, said worlds about the musical backgrounds and depth of conviction from Conniption and Lords of the Trident.

This isn’t neo-prog. Instead, Mangala Vallis propel the music forward with a vital, condensed and nuanced sound on ‘Voices.’

Out of print for years, the Grip Weeds’ ‘Giant On the Beach’ has been resurrected with a generous dosage of new goodies.

Released 35 years ago today on the U.S. edition of the Smiths’ second album, “How Soon Is Now” provided an era-defining riff to a new generation.

John Fogerty, LPT and Alan Parsons Project are part of the latest edition of Five for the Road, an occasional look at music that’s been in my car lately.