Canned Heat creates a swampy vibe again on “Let’s Work Together” while William Shatner does a competent sing-speak to create some good, joyous fun.

If you weren’t aware of the copyright date of ‘Diamond Hands,’ you could easily be hoodwinked into thinking it is a long lost George Harrison project.

Rick Wakeman’s ‘The Red Planet’ is a grand musical gesture that descends slowly on analog winds and is buoyed by a progressive rock ‘n’ roll parachute.

Alex Jordan’s ‘The Subtle Exhibitionist’ is a dazzling debut from an artist whose spirited music is primed to make a major impact.

Artificial drum beats are all that prevent “I Stand Up” from fitting right into 1972’s ‘Chicago V’ or 1974’s ‘Chicago VII.’

Preston Frazier’s Best of 2020 (So Far) includes standout recordings from Rick Wakeman, Brownout, David Sancious, Nick Finzer, Susie Blue and others.

Quincy has returned with a highly enjoyable set of songs that rank as a sensible extension to the unfulfilled promise of their debut album.

The late Duane Allman actively sought to play and possibly record with the jazz cats he admired, but unfortunately time ran out.

Here’s a handful of the best moments from Paul Barrere, who ended up co-leading Little Feat for much longer than their celebrated original tenure with Lowell George.

Danielia Cotton joins Preston Frazier to discuss her brutally honest new EP, ‘A Different War,’ her songwriting process and the impact of the pandemic.