Walter Becker, “The Dopest Cut / Down In the Bottom” (1992): Steely Dan Sunday
Walter Becker’s ’11 Tracks of Whack’ outtake “The Dopest Cut / Down In the Bottom” is another treat for Steely Dan fans that shouldn’t go unnoticed.
Walter Becker’s ’11 Tracks of Whack’ outtake “The Dopest Cut / Down In the Bottom” is another treat for Steely Dan fans that shouldn’t go unnoticed.
Like the rest of the Lickerish Quartet’s EP, “Bluebird’s Blues” is for the ages. A new song put together using time-honored values will never *sound* old.
Pop Co-Op boldly broadcasts their influences, but ‘Factory Settings’ isn’t an exercise in retro-mania. Every song is stamped with the band’s unique imprint.
Issued 20 years ago today, “Soon Forget” isn’t the only binaural recording on Pearl Jam’s ‘Binaural,’ but it’s the one that really shows off the technique.
It’s uncertain what drew him to the project, but the little-seen ‘Hearts of Fire’ actually mirrors attitudes often associated with Bob Dylan.
Steve Matteo discussed a new box focusing on Pink Floyd’s 1987-2019 output with engineers Andy Jackson and Damon Iddins, and designer Aubrey Powell.
“Program” seems to be a perfect start to McStine and Minnemann, who rose to separate fame with the Aristocrats and Lo-Fi Resistance.
‘Deep Beatles’ author Kit O’Toole digs into five key cuts from their last-released album ‘Let It Be,’ which arrived 50 years today.
Sky deftly bridged genres, including classical and rock, yet somehow their music has nearly disappeared from minds and playlists.
Released 30 years ago this week, ‘Tattooed Millionaire’ gave us the chance to learn a little more about Bruce Dickinson’s quirky personality.