Ellen Foley joins Paul Matts to discuss the forthcoming ‘Fighting Words,’ working with Jim Steinman, and a few other favorite musical moments along the way.

Barista, the recording name of Turkish musician Bahadir Han Eryilmaz, deconstructs the barriers between blues, classic and prog rock.

Dario and the Clear’s wonderful progressive-rock album ‘Optic Nerve’ follows a King Crimson path into very vital and very clever rock grooves.

Traffic’s albums are presented in their original packaging and sport the iconic pink U.K. Island Records label. Unfortunately, they forgot a key element.

‘Ride a Rock Horse’ managed a bit of a tougher edge, compared to Roger Daltrey’s self-titled debut effort from 1973.

Patrick Ames’ ‘The Virtualistics’ encompasses the good and bad of the pandemic, but the overriding message is hope.

Joe Bailey joins Preston Frazier to discuss the U.K.-based prog-rocker’s new solo project, his creative process and plans for another Dark Monarchy album.

Curved Air co-founder Darryl Way’s ‘Destinations 2’ features more solo instrumentals inspired by imagined journeys to exotic places.

Robbie Robertson didn’t just remix the Band’s third album with Bob Clearmountain. He created a completely new track sequence for ‘Stage Fright.’

The forthcoming Steven Wilson re-mix of Gentle Giant’s ‘Free Hand’ once again lowers the volume, brightens the colors, and allows wonderful separation.