Too often, it was like Jon Anderson didn’t want to make a solo record that sounded too much like Yes. As interesting as these sideroads no doubt were, they gave few clues to how his own voice fit into the wider topography of the band. You May Also Like: JonRead More

Walter Becker once called himself as a “B+” guitarist. He’s certainly underrated there but as a bassist, I’d rate him even higher. Nonetheless, Becker had a history of making way for another bassist to play on a Steely Dan tune if he thought if that person was the better manRead More

by Tom Johnson It was going to be hard for Bird to top his previous album, Andrew Bird And The Mysterious Production Of Eggs, a gorgeous, moody stunner. Equally balanced between upbeat rock numbers and quieter strings-backed pieces, Eggs had something for everyone, with smart, subtly-humorous lyrics strewn throughout toRead More

by Tom Johnson “Mailman” is singer David Yow’s tale of a woman being stalked by some creepy bastard who likes to send her little love notes through the mail. You May Also Like: Indigo Girls, “The Rise of the Black Messiah” from One Lost Day (2015): One Track Mind

by Mark Saleski Back in Led Zeppelin’s day, it was near to impossible to twist the radio dial (yeah, radios had dials back then … think of a radio dial as an ancient, manual hyperlink, without the Internet or computers or any of that stuff You May Also Like: HowRead More

by Tom Johnson Ben Folds opened this EP (Speed Graphic refers to the camera seen on the sleeve) with the Cure’s “In Between Days.” While staying true to the Cure’s sound, he managed to inject an extra little dose of his hopeful optimism into the song: It’s just a qualityRead More

by Tom Johnson Just because King Crimson is one of my all-time favorites doesn’t mean that I have to trot out the old standard In the Court of the Crimson King. I don’t particularly care for it, regardless of its standing as a prog-classic. The one that I return to,Read More

by Tom Johnson Poor Trey. Not only did he get wrapped up in dealing with a major label in 2005 with Shine, he also had to deal with the double-whammy of two decidedly non-fan friendly formats that Columbia insisted on releasing the album through, the shoddy DualDisc format and theRead More

It was only a matter of time before Robert Fripp came out of hiding again. Notoriously reclusive, the unusual guitarist seems to disappear just when things seem to get really interesting, such as a few years ago when You May Also Like: No related posts.

by Tom Johnson Who knew Low would crank things up like they did with 2005’s The Great Destroyer, their Sub-Pop debut? Were they holding back all those years, or did the label urge them to do something different? Whatever it was, it worked against every notion fans had when wordRead More