Some fun facts about this track: 1. “East St. Louis Toodle-oo” is the only Steely Dan track in which Becker and Fagen are not in the songwriting credits. This one was written about fifty years earlier by Duke Ellington and his trumpet player, Bubber Miley. You May Also Like: FiveRead More

Radiohead frontman Thom Yorke must have had a bunch of material laying around after ‘Kid A,’ because that was exactly what this follow-up album felt like.

by Mark Saleski As the era of Classic Rock shrinks into the musical and cultural rear view mirror, it’s been enlightening to see how the stars have dealt with aging. You May Also Like: Why ‘Draw the Line’ Signaled the End of Aerosmith’s Blazing First Era Why I’m Still DisappointedRead More

Canned Heat, the doomed boogie-blues revivalists, only made a lone appearance at the legendary Montreux Jazz Festival. Yet they still managed some star-crossed magic. You May Also Like: William Shatner and Canned Heat, “Let’s Work Together” (2020): One Track Mind

Tommy Keene is still making what sounds like lost power pop gems from decades back, except they are brand new. You May Also Like: Tommy James and the Shondells – Cellophane Symphony (1969): Forgotten Series The Doughboys – ‘Running For Covers’ (2019) The Click Beetles – ‘Pop Fossil’ (2020)

Random Touch, perfectly named, is an accidental neo-prog music collective. Even better, they’ve issued a double album called Tributary, a 23-track, two-hour project, that — again, perfectly named — couldn’t be further from the mainstream. Comprised of found sounds and improvisational asides on whatever instrument is at hand, Random TouchRead More

Much of the soundtrack to my college years was set to the tune of Dash Rip Rock, one of Louisiana’s premier party bands. It’s unfortunate that every time I mention the band to someone not from Louisiana or the surrounding states, I’m usually met by a blank stare, or maybeRead More

Rockpile (maybe the first neoclassicist rockers?) opened the door for every throwback moment of the coming decade — not to mention new wave. Yet this late 1970s-era rockabillying power-pop supergroup came and went so quickly, they rarely get their due. You May Also Like: For ELO’s Jeff Lynne, Meeting GeorgeRead More

Mike Zito’s new release Greyhound moves with impressive force between acoustic story songs, and these grinding, hellhound-chased blues-rock numbers. You May Also Like: Mike Zito – First Class Life (2018) Mike Zito – ‘Resurrection’ (2021) Mike Zito – ‘Blue Room’ (1998, 2018 reissue)

by Tom Johnson X equals 10 and V equals 5. So that’s 10 to the tenth power times 5 … carry the 1 … whatever. It’s higher math, but this was, believe it or not, the group’s 15th album. I’m going out on a limb here — I can’t imagineRead More