by Tom Johnson Who knew, at the time, that Low would crank things up like they did with The Great Destroyer, their 2005 Sub-Pop debut? Had they been holding back all those years, or did the label urge them to do something different? You May Also Like: Mike Pride –Read More

If “Charlie Brown” is any indication, fans of Coldplay’s post-modern mixture of chest-bursting arena rock and quirky lyricism are going to be pleased by their forthcoming album Mylo Xyloto, due on Oct. 24. You May Also Like: Butcher Brown, “Truck Fump” from ‘Encore’ (2021): Something Else! sneak peek

Not long ago, Neal Morse issued a very personal album that explained his abrupt change from a frontman in a neo-prog band on an upward incline to a solo artist in the even more obscure arena of Christian prog rock. You May Also Like: Jovian Tea, “Strange World” / “RedRead More

by Mark Saleski No harm meant by this remark: I’d rather listen to John Mayer than Elliott Smith. So there, I’ve said it. Not to illustrate that I’ve got no indie cred. That I apparently have no taste in music. Not even to piss off the legions of Smith fans.Read More

As I await the release of Anthrax’s Worship Music, the band’s reunion with 1980s singer Joey Belladonna, I’ll try to drown out the soap-opera drama with changing lineups and re-records surrounding it by cranking up their last record You May Also Like: Anthrax, Sept. 23, 2016: Shows I’ll Never ForgetRead More

Circa has every right to sound like Yes, considering that its two principal creative forces are former members of the band, and this is the tune that makes the most of that prog-rock promise. You May Also Like: No related posts.

With Never Falling Again, Clear explores the devastation left behind as relationships end – yet somehow comes away with a collection of songs that’s startlingly beautiful. That’s no easy feat. You May Also Like: Dario and the Clear – ‘Optic Nerve’ (2021) Presley’s Beatles, “Can’t Help Falling In Love /Read More

by Mark Saleski This song, from Captain Beefheart’s Trout Mask Replica, wouldn’t feel out of place on Harry Smith’s Anthology of American Folk Music. Part field holler, part rambling genius. Well I put down my bush ‘n I took off my pants ‘n felt free The breeze blowin’ up meRead More

by Tom Johnson After an embarrassing attempt at recapturing the limelight he had with his first big hit (“Barely Breathing”), Sheik focused once again on the dark-hearted pop that he’s so good at. He missed the mark here and there, but more often than not, this unfortunately overlooked disc deliveredRead More

Greetings ends not with a happy postcard from the Jersey shore, but with the tough-as-nails “It’s Hard To be A Saint In The City. You May Also Like: Reevaluating Bruce Springsteen’s ‘The Wild, the Innocent and the E Street Shuffle’