Steve Lukather, once one of the busiest sidemen in pop history, has seen his new solo album chart in the Top 20 in seven different countries. Transition is the guitarist’s seventh project away from Toto You May Also Like: Steve Lukather, “When I See You Again” from ‘Bridges’ (2023): OneRead More

A nocturnal gust of sadness, Chris Stamey’s Lovesick Blues is a soundtrack to an endless, impossibly vivid night of heartbreak — dark, impossibly dark, but at the same time beautiful. You May Also Like: No related posts.

I grew up in the golden age of thrash, and I loved it from the first time I heard it. The precise riffs, the often-complex arrangements and all the power and aggression I needed while still retaining melody and musicality. You May Also Like: Dark Hound – Dawning (2018)

Volumes have been written on the Lennon/McCartney dynamic, after point/counterpoint exchanges graced “We Can Work It Out,” “Getting Better,” and “She’s Leaving Home.” One of their finest moments as a duo occurred during the troubled Get Back sessions. You May Also Like: The Beatles, “Two of Us” from Let ItRead More

Tommy Thayer first appeared on a Kiss project in 1998, as a sideman on Psycho Circus. Yet, even when he officially took over as guitarist in 2002, Thayer stuck primarily to echoing founding member Ace Frehley You May Also Like: How ‘Revenge’ Became Kiss’ Last Gasp of Greatness

Don Henley says the Eagles are in the early planning stages for a possible world tour — though “it very well could be our last.” He is also readying a new solo project, his first studio effort since 2000’s Inside Job. You May Also Like: No related posts.

All of a sudden, a song that hadn’t been a hit since way back in 1976 was hot again. So was Blue Oyster Cult.

Guitarist Henry McCullough is unlikely to make a meaningful recovery after suffering a heart attack last November, says Denny Seiwell, his former bandmate with Paul McCartney and Wings in the early 1970s. You May Also Like: Henry McCullough dies; played guitar with Paul McCartney and Wings, Joe Cocker, Spooky ToothRead More

Richard Thompson amps up the dying-light rage that has always made for his best albums, while smartly avoiding the studio trickery that sometimes muted his gift during the Mitchell Froom years. You May Also Like: Linda and Richard Thompson, “The Great Valerio” (1974): One Track Mind

As Boston continues on without the late vocalist Brad Delp, it is taking the equivalent of a small army of people to replace him on live dates. You May Also Like: How Boston Said Goodbye to Brad Delp on ‘Life Love and Hope’