Mike Tiano takes a deep dive into ‘Becoming Led Zeppelin,’ the new film focusing on the early years of Robert Plant, Jimmy Page, John Paul Jones and John Bonham.

Allan Jones’ ability to take me to the sites of an under-documented part of the 1970s and ’80s British music scene made this book historically useful.

Released 15 years ago today, the heavily praised ‘Raising Sand’ doesn’t sound like either Robert Plant or Alison Krauss – and that’s a good thing.

Remember when Led Zeppelin’s “Stairway to Heaven” was fresh to you? That’s how it felt 10 years ago today on ‘Celebration Day.’

David Crosby, John Oates, Robert Plant, Lloyd Cole and Jackson Browne are among those on Nick DeRiso’s Best of 2014 list for rock and roots albums.

Plant’s new album gives no quarter to his oldest fans’ built-in expectations.

“It’s not going to happen,” he says of a reunion. “You’d have to exhume.”

Never mind that our readers’ top pick for 2013 was actually published on December 27, 2011. It’s part of a trend involving a certain mop-topped bunch. You May Also Like: How ‘Let It Be … Naked’ Led to Our New Understanding of the Beatles’ End

Robert Plant’s newest post-Led Zeppelin outfit is a canny blending of blues and world music influences, adding spicy new flavors to a post-blues aesthetic that goes back to his earliest successes in music. You May Also Like: The Best Moment on Jimmy Page’s Solo Debut Didn’t Involve Robert Plant

Beginning roughly with 2007’s Alison Krauss collaboration Raising Sand, Robert Plant began working in a quieter, more confidential manner that was completely alien to his Led Zeppelin style. You May Also Like: How Robert Plant and Alison Krauss’ ‘Raising Sand’ Still Confounds Expectations