With ‘Someday,’ Chicago’s Robert Lamm made the first of many political statements – and he did so with an exclamation mark.

When people scoff in disbelief that Chicago used to open for the likes of Jimi Hendrix and Janis Joplin, I pull out “Poem 58.”

I love the horn section’s raw sound on ‘Chicago Transit Authority.’ As time went by, Chicago smoothed that sound out – but not here.

One of Chicago’s crowning achievements, “Beginnings” boasts a near-perfect arrangement only marred by a good but too-long coda.

Robert Lamm and Chicago released ‘XXXVI: Now’ last summer, marking their initial new studio recording since ‘Chicago XXX’ in 2006.

This may well be Chicago’s first great album of new material in a generation.

Chicago has announced a title, offered additional samples of its new music and revealed the cover art for its first album in eight years. Featuring 11 original tracks, Chicago XXXVI: Now finds the band in the midst of an entirely new way of creating. You May Also Like: Robert LammRead More

Even as Chicago continues work on its first new material since 2006, Robert Lamm marvels over the changes that have swept through the industry. You May Also Like: Robert Lamm is ready for another Chicago album – but are his band mates? The Sails – ‘Bang!: The Sails Best ofRead More

A theory has emerged that Chicago never quite recovered from Peter Cetera’s departure. Here are five arguments to the contrary.

Written by Robert Lamm and America’s Gerry Beckley, “Something’s Coming, I Know” hints of Lamm’s ‘Subtlety and Passion.’