Steely Dan Sunday: Katy Lied turns 40 this month
This month, Steely Dan’s ‘Katy Lied’ turned 40 years old. Here are some reasons why it’s good enough to overcome an infamous mixing fiasco.
This month, Steely Dan’s ‘Katy Lied’ turned 40 years old. Here are some reasons why it’s good enough to overcome an infamous mixing fiasco.
Steely Dan’s ‘Gaucho’ was issued 34 years ago today. Getting it to the point of release was no easy task.

“Green Flower Street” always reminds me of the similarly titled “Green Dolphin Street,” a song from the 1947 Lana Turner movie of the same name that Miles Davis turned in into a jazz standard when he first recorded it in the late 50s. You May Also Like: Donald Fagen, “TheRead More

Found in the bargain bins at the now-defunct Borders Books some years ago, this Risky Business disc bears the subtitle “Make Out Music From The Psychedelic Era,” which is partially appropriate. Although the songs were indeed fathered during the hazy, crazy days of flower power, and a number of themRead More

No movie where Steely Dan was commissioned to contribute a song for that movie’s soundtrack ever did well, not You’ve Got to Walk It Like You Talk It or You’ll Lose That Beat, not FM, and not even a movie directed by the great John Huston, Phobia. You May AlsoRead More

A new multi-artist American tour thrillingly combines rock and blues — in fact, it’s right there in the name — with appearances by Johnny Winter, Rick Derringer and Edgar Winter, among others. You May Also Like: The McCoys – Infinite McCoys (1968): On Second Thought Edgar Winter Group – TheyRead More

Though those days were numbered by the time of Katy Lied, Steely Dan liked the occasional break on their records from the ceberal arty jazz-rock of their preference and just jam out with some simpler, blues-based ditty. You May Also Like: Five Deep Cuts Underscore the Overlooked Brilliance of SteelyRead More
Aside from ‘Hang On Sloopy,’ the McCoys dispatched a string of comparably strong songs ripe for rediscovery if you missed them the first time around.
Rick Derringer’s gloriously greasy slide guitar assured that “Show Biz Kids” would stand as one of Steely Dan’s better deep cuts.