Otis Redding got on a roll at the Monterey Pop Festival in 1967, and he just kept going – right past an agreed upon curfew.

Otis Williams, nicknamed “Big Daddy” for his imposing presence, stands as the only surviving original member of the Motown hitmaking juggernaut known as the Temptations. You May Also Like: The Temptations – All Directions (1972): On Second Thought The Temptations’ Psychedelic Era Came into Focus on ‘Puzzle People’

It’s an interesting thing to hear the teenaged Kevin Coelho take to an instrument like the Hammond B3 organ. In part, this is because said instrument is often associated with the more “old-fashioned” side of life. You May Also Like: Ross Hammond and Kevin Corcoran – ‘Music For Lighthouses 2’Read More

Here’s the answer to that question, “what to do for an encore after such a note-perfect quiet storm groove tune as ‘What You Won’t Do For Love’?” You May Also Like: No related posts.

For all of the unabridged amazement surrounding Billy Preston’s high school-aged mastery of both the bubbling jazz of Jimmy Smith and the lean Memphis R&B of Booker T. Jones, the truth is, he’d been at this a while. You May Also Like: Billy Sherwood Talks #Yes50, ‘Topographic Drama’ and aRead More

For Stax Records executive Al Bell, the label’s focus on personalized arrangements was what made its stable of stars into timeless figures. Unlike some of their competitors, he says no two of their records sounded exactly alike. You May Also Like: No related posts.

It’s not always easy to find an unfiltered moment like this from Hall and Oates — a pairing that has become so closely associated with genre-jumping mixtures of street-corner soul with modern new-wave verve. You May Also Like: No related posts.

A trick of fate launched Otis Redding’s career. He was, in 1962, working with a flamboyant guitarist named Johnny Jenkins, who had some unused studio time at Stax Records. Up to the mic stepped Redding. You May Also Like: No related posts.

There is perhaps no more unpredictably weird image than Hugh Laurie — who, from 2004-12, played the Golden Globe-winning title protagonist on TV’s House — weaving his way through Professor Longhair You May Also Like: No related posts.

When Tom “T-Bone” Wolk died in 2010, Hall and Oates lost more than just their long-time bassist. Over a collaboration that went back to 1981’s Private Eyes, he’d become so much more. You May Also Like: No related posts.